My practice is rooted in presence, restraint, and intimacy—images that feel lived-in rather than performed. I’m less interested in spectacle than in the quiet relationship between people, body, space, light, and texture. The work allows moments to unfold naturally, with a deliberate sense of framing and an openness to imperfection. I often focus on fragments and closeness, not to obscure, but to heighten feeling and draw attention to gesture, form, and energy. Monochrome palettes, raw materials, and tactile environments ground the images and give them weight. The photographs aren’t meant to explain or resolve anything—they exist to hold attention, create tension, and invite a slower, more present way of looking.